Archive for the ‘Art’ Category
Interview with Calabrese
Imagine, if you will, visiting and old mom and Pop video store on Halloween night, the shop is dark, smokey and intriguing. You scan the walls looking at the lurid art work of all the B-Movie and creature feature movies whilst munching on candy corn, and that my dear uninitiated friend is what listening to Calabrese is like. It’s Halloween for your ears. Calabrese was formed in 2003 and in that time have produced three gorerific CDs full of shock ‘n’ roll, the latest being “They call us death”. I caught up with brothers Bobby, Jimmy and Davey to talk horror, art and unfortunately, Twilight.
Lips: Firstly, let me get this out of the way, when on sweet earth are you coming to the UK to tour?
Bobby: Soon! Hopefully soon! I know, at this point, that seems like a total stock answer, but it’s the Goddamn truth. Would I lie to you? No, I wouldn’t. And that’s the TRUTH!
Lips: Calabrese is the pure embodiment of a DIY band, do you think you can achieve all the goals you have for the band this way? I know a lot of UK DIY bands are struggling in the current economical climate.
Bobby: I don’t know, it IS pretty fucking tough to be DIY, but in this day and age, it’s the only way. Unless you think you’re gonna be picked up by a multimillion dollar record label, you gotta do it yourself. Granted, if your goal was to sell out Madison Square Garden, yeah, it might not work to your 
favor. Ha! But you CAN be successful, and you CAN do whatever the fuck you want (something I relish in!) so don’t get down on yourself, stay in the game, kick ass, so on and so forth. Hell, now I’m starting to sound like a motivational speaker. Curse on you, Horror Extreme!
Lips: The look of Calabrese is a very strong one, and very uniform, did this happen by chance, or was it a thought out process?
Bobby: A little bit of both, really. When we first started, we realized we wanted a “uniform,” ’cause we fucking hate seeing a band that looks like they just got off work at the local convenience store. Yeah, it works in some bands’ favor, but I think we’re all a “visual” group of guys, wanting something more out of live shows than a group of dudes in baggy jeans and t-shirts. So we started wearing the same thing, added a few finishing touches…and here we are today. A rag-tag gang of bad-ass motherfuckers!
Lips: The band works with some amazing artists in regards to the albums and the merchandise you sell, do you come up with the ideas or do you give the artist free licence to produce what they think represents you the best?
Jimmy: We usually have a general idea of what we want, but we let the artists run with it. We try not to dictate EXACTLY what it should look like, ’cause we get better and more unexpected artwork when the artists give their own creative input.
Lips: You all come across as true ‘Monster Kids’ who and what are your personal influences in music and movies?
Jimmy: There’s so many it’s hard to choose. Music, of course, is Danzig! And movies it would be “Evil Dead.” When we played at the Horror Hound weekend I was mesmerized by the vendor rooms. I kept thinking to myself, “this is the greatest thing ever!” But why? Why do I love horror and the macabre? I guess it’s because I AM horrible and macabre!
Lips: To give the UK fans a taste, describe what a typical ( if there is such a thing!) Calabrese gig is like, set length, props etc.
Bobby: We don’t have too many gimmicks these days, save for smoke, strobes, sample machines, lights…okay, forget that, we have tons of shit going on! But I think our live show is really about energy, about having fun and rocking out. We want everyone to go nuts, like a seventh mug of strong, 
black coffee. And you can pretty much expect to see Davey jump out from behind the drums and go apeshit in the crowd. It’s kinda what we do. When the music hits ya, it hits ya hard!
Lips: Would you ever want to play huge theatrical shows, say at the level of Alice Cooper and Rob Zombie? Having seen Wednesday 13 he brings that aesthetic to a small crowd on stage.
Bobby: Of course! That would be awesome. We do what we can right now (aside from fireworks, which is pretty a big no-no these days) but anything larger would be amazing. I would kill for some lasers, giant robot-men walking the stage and a bunch of wires that’ll suspend me in air for the most high-flying, ear shattering guitar solo…ever!
Lips: There is quite a large Horrorpunk/psychobilly/gothabilly scene now, with many just becoming Misfit-alikes, where as Calabrese have stayed fresh and new. How have you managed to show your influences through your music AND stay original?
Bobby: It must be a subconscious thing, really, ’cause I have no idea! We write what we wanna hear…and hope for the best. We do a lot of fine tuning when writing songs, so I’m sure that helps. We spent three years writing 12 songs! But hey, I’ve said it before and I’ll say it again…no filler, all killer!
Lips: Your lyrics, album art and some might say your looks are steeped in Vampire lore, how do you feel about the new wave vamp tales, e.g Twilight, The Vampire diaries ?
Bobby: We really do like the vampire stuff, since you can pull some really great imagery and ideas and whatnot out of it. But hey, as far as those films are concerned? Whatever floats people’s boats! We’re just gonna have to keep it real with films like “Fright Night” and “Near Dark!”
Lips: Do you think to survive as a DIY band you have to involve your fans in the creative process?
Bobby: I’m not sure, ’cause we really haven’t done it any other way. Personally, we try to be the band that we would’ve wanted to see, known and listened to when we were younger. Or even now! Involving all our fans in any sort of way is gratifying and fun. For a lack of a better term, we like to keep it real. Keep it legit. We don’t pretend to be rockstars!
Lips: Calabrese has garnered some amazing press and praise, from the likes of the wonderful Blasko, Fangoria and Rue Morgue magazine, how does it feel to be so accepted within the very culture you are celebrating in your music?
Bobby: What can I say? It feels great!
Jimmy: It’s cool, but we’re not trying to impress the critics, it’s the fans that buy our music and it’s the fans that come to our shows!
Lips: Have you seen and good horror films lately?
Bobby: Nothing too crazy. “House of the Devil” was cool. Anything with Satanic shit is a-okay with me!
Jimmy: Lately, most horror flicks I watch are a let down, but I was impressed with “The Orphanage” (2007) and I watched “From Dusk Till Dawn” again — which is always awesome!
Lips: What are your current projects? Anything cool lined up?
Jimmy: Of course! You will be seeing Calabrese starring in “The Graves,” on the SyFy channel in the near future (by “starring in,” I mean we have a few minutes of screen time!) And speaking of “The Graves” (currently available in stores via Lionsgate) we are working on another music video with Brian Pulido (director/writer of The Graves and creator of comic book icons Evil Ernie and Lady Death) and there’s a Calabrese comic book from Modern Mythology Press that will be available around October. And more shirts and merch to come!
Bobby: We’re gonna melt your mind with merch! GET PUMPED!
All photographs used with kind permission of Calabrese.
www.calabreserock.com
www.twitter.com/calabrese666
www.myspace.com/calabrese
“I think CALABRESE is one of the top Horror Rock bands I have heard.” – BLASKO (Bassist for ROB ZOMBIE and OZZY OSBOURNE).
Toxic Toons Competition
COMPETITION NOW CLOSED
Win cool stuff from the creative mind of Eric Pigors
We have some superb EXCLUSIVE “Toxic Toons” merchandise to give away to one lucky reader. All you need to do is send an email to toxictoons@horror-extreme.com to be entered into the competition with the subject “Toxic Toons Competition” and be entered into the draw. The winner will be picked randomly on 27th March 2010 and contacted via email for delivery details.
The lucky emailer will win:
Ltd Ed SIGNED ‘Netherworld’ poster
Rare SIGNED ‘The Ghastly ones’ print.
Two button/badge packs
A super rare pumpkin witch pendant (Not available to buy ANYWHERE)
Stickers
More information about Toxic Toons artist Eric Pigors can be found here:
Horror Extreme Interview with Eric Pigors
www.toxictoons.com
www.myspace.com/toxictoons
www.twitter.com/toxictoonspigor
*All photos used with kind permission of Eric Pigors
Small print:
Interview with Ghoulish Gary Pullin
Any horror fan worth their salt would have at some point picked up and read a copy of Rue Morgue magazine, and I’m sure that one of the first things that would have grabbed them the by the collar and given them a shake, would have been the amazingly intense art that graces its covers and accompanies its articles. These beautiful illustrations are thanks to Rue Morgue’s Art Director, ‘Ghoulish’ Gary Pullin. Gary’s designs are saturated with such luminous colours, twisting lines and macabre details, you cannot fail to be drawn in to his highly detailed and inventive imagination.
Lips: Do you have any formal art training, and do you belive that it helped or hindered you in becoming the kind of artist you wanted to be?
Gary: I didn’t really know what kind of artist I wanted to be until I went to college. I applied for graphic design and animation at two different schools. But drawing had always been a hobby. It sounds made up, but when I was very young our family priest gave me my first set of markers and much to his dismay, I immediately started drawing monsters and villains. I kept up with drawing as a hobby and after I graduated high school, I spent two years taking specialized art courses. My majors there were animation and printmaking. I really enjoyed it but I was just working shitty jobs and generally just screwing around. It soon dawned on me that I had better make a career out of something because factory life in London, Ontario wasn’t going to cut it for me. So I started applying for art and graphic design courses all over the province. After looking at my options, I decided to try a three-year graphic design and advertising program in Kitchener, Ontario,
about an hour away from London. I think the art training has helped me quite a bit. It honed my skills and it gave me a strong work ethic. I mean, college was like design boot camp! But I stuck it out, graduated and moved to Toronto to find a design job.
Lips: Do you consider yourself to be a ‘low-brow’ artist? Who are your art heroes?
Gary: This is a tough question for me. I know that my work can be cartoonish and humourous at times and I’ve been a sub culture junkie all of my life so my artwork reflects that. I also love horror films, underground comix and punk rock, which are all themes of that movement. But do I consider myself a ‘low-brow’ artist? I don’t know, I think that is something for other people to decide for themselves. Some of my art heroes could be considered “low-brow” like Pooch, XNO, and Coop. But I also love Charles Burns, Basil Gogos, Robert Crumb and Joe Coleman. I love the Tales from the Crypt guys like Ghastly Graham Ingles and Jack Davis. I love the classic movie poster artists like Saul Bass, Reynold Brown and Norman Sanders… the list goes on and on and on…
Lips: You have a long-standing relationship with Rue Morgue magazine, how did that come about?
Gary: That is a long story but basically I met Rue Morgue’s founder Rodrigo Gudino at a screening of Fulci’s The Beyond the only year the Fantasia Film Festival came to Toronto. He was in the lobby selling the first three issues of the mag. I had already seen issue number three and I was really impressed with the academic stance it took on the horror genre. At that time, I had started working at a commercial design firm, designing packaging for beer, Cadbury chocolate, cereal stuff like that. I told Rodrigo how much I loved Rue Morgue and that I was an artist that would love to get involved. I gave him a card and two days later he called wanting to see my portfolio. We really hit it off and talked about the direction and vision of the magazine at great length. He immediately commissioned me for some artwork and I left feeling really inspired. I started doing little stuff here and there but it wasn’t long until I was redesigning the Rue Morgue logo, creating issue covers, t-shirt designs and whatever else he needed. I was busting my ass at the design firm during the day, and moonlighting for Rue Morgue in the evenings and weekends. The magazine just kept getting more and more attention from readers and the industry, the advertising was getting bigger and things really started cooking. After a couple of years of working both jobs, Rodrigo knew I was getting tired of my day gig and asked me not to take any job offers until he could afford to hire me full-time. I did just that and true to his word, a year later, I came on as Art Director and haven’t looked back since. Actually, Rod ended up meeting several key people at that screening of The Beyond and many of them still contribute to the magazine after all these years.
Lips: I have always felt that Rue Morgue continued the feel and aesthetic of Famous monsters of Filmland, in regards to its use of in-house artists and painted cover designs. Is Basil Gogos an influence on how you work and the type of art you produce?
Gary: Any nods you see towards FM are totally deliberate! Famous Monster’s
and Basil Gogos have had a profound impact on me and the artwork that goes into Rue Morgue. From the first issue of FM I laid eyes on when I was a kid, I was mesmerized by the beautifully horrific artwork staring back at me. The influence Basil has had on artists, not only in the horror community, is immeasurable. Back when I started at RM, I felt horror mags had become a bit stale, not only editorially, but visually as well. There were a few exceptions for sure, but I really wanted to re-introduce dynamic design and those illustrated covers to horror mags again. Not only is it an intentional homage to FM, Creepy and Eerie but it was also a hope that Rue Morgue could hang with some of those classic mags and that maybe our readers would collect our issues. I like to think that Rue Morgue is sort of monster hybrid of all the past horror magazines but still has a life and look of its own. But, it’s almost impossible to thumb through those old issues of FM without feeling profoundly inspired by the incredible work of Basil and even the infectious way Forrest J Ackerman wrote about monster movies.
Lips: What has been your favorite Rue Morgue cover to work on?
Gary: I gotta say I really enjoyed doing the Ray Harryhausen tribute cover. I tried some new techniques and I think I pushed my style with it a bit. It’s up
for a Rondo Hatton award this year, so I’m pretty happy about that. I’m also really happy with the way the Paul Naschy cover turned out.
Lips: Considering your close relationship with Rue Morgue, do you have much free time to work on your own art ? What are your current personal projects?
Gary: It can be a tough balance, no doubt. I love it at the mag but much like my co-workers there, we all have outside interests and personal goals. I’m willing to sacrifice my evenings and weekends to do some of those things. Right now I’m working on a t-shirt design for Fright Rags, a Roller Derby logo and a couple of gig posters.
Lips: You’ve worked with Anchor Bay Entertainment in the past, What releases would we have seen your work on, and are there anymore in the pipeline?
Gary: It’s funny because usually I’ve already done the artwork and they’ll call and say that it’s perfect for their release! I’ve worked with Anchor Bay Entertainment in Canada on their Hilarious House of Frightenstein box sets. They commissioned me to add some of the shows characters onto a poster I had already done. And late last year, Anchor Bay UK wrote and asked for permission to use the Coffin Joe illustration I did for Rue Morgue on their box set. I was totally blown away, so how could I say no? I was lucky enough
to meet the man and he said he loved the artwork. I was on cloud 9 for a few minutes there!
Lips: Do you have any desire to become involved in animation or films? I think that your style of art would lend itself very well to 2-D animation.
Gary: Well thanks! I just watched the Charles Burn animated episode on Fear[s] of the Dark and loved it. I have a friend who does animation and we’re always talking about collaborating on something I wrote back in college, but It’s really just finding the time to pour my all into it. I have a great love for Animation and it was one of my majors when I was in art school so I’d like to revisit that again one day.
Lip: You’ve designed some wonderful pieces for bands and musicians. Who has been your favorite and is there anybody you’d like to work with?
Gary: I’m inspired by music just as much as I am movies, that’s for sure. I have had the chance to work with a few psychobilly and punk bands and I always enjoy working on their posters or t-shirts. I’ve also done a ton of stuff for The Creepshow, they are great to work with and they’re good friends so maybe I’m a bit biased. I’m finally getting the chance to work with 
Ghoultown, a great band from Texas, so I’m stoked about that. There are lots of bands I’d like to work with for instance I’ve been on a Mastadon kick for the past couple of years. They’re music is steeped in atmosphere, I’d love to do something with them.
Lips: Do you have any plans to visit the UK, be it at a signing or a convention?
Gary: Actually, my wife and I were in Scotland and Ireland for our honeymoon and we absolutely fell in love with it. We wanted to see more of it and one day we’ll go to England. No plans right now but I’d love to attend a con and meet horror fans over there!
Lips: Are you currently working on any exciting projects that you’d like to tell us about?
Gary: This May marks Rue Morgue’s 100th issue and in this day and age, that’s a big deal for a print magazine! So we want to make it really special for the readers. We’re working on some really cool things for it. One of which is an art collective and we’ve got some amazing artists on board for that, so I’m really jazzed about that. There’s also a really exiting music project the editors have been working on that’s going to be a lot of fun. We’re throwing a big event for the launch as well. Keep your eyes on rue-morgue.com for any
updates on that. Personally, I’m working on another art show and just having a lot of fun creating in the genre I love.
Artwork copyright Gary Pullin 2010. Used with kind permission.
You can find out more about Gary’s amazing work at the following links.
www.ghoulishgary.com
www.twitter.com/ghoulishgary
www.myspace.com/ghoulishgary
www.ghoulishgary.etsy.com
“Ghoulish Gary Pullin pulls you in and makes you abandon the reality you know in favor of the reality that he suggests.” – George Romero (Night of the Living Dead, Dawn of the Dead)
Interview with Eric Pigors
Welcome to the sick and twisted world of Unkle P. AKA Eric Pigors. His designs are that of sugar induced coma, full of macabre, ghoulish, and comic creations which never fail to burn themselves on to your retinas. Mixing mediums from hand drawn sketches, computer manipulation and collage, his disturbed progeny just jump off the page. A total fiend for the ‘Monster Kid’ culture, it is easy to see where Eric’s inspiration comes from. Unkle P. takes time out of his extremely busy schedule to talk to Lipstattoo for Horror-Extreme.
Lips: Hi Eric, how was it working back at Disney?
Eric: It was a lot of fun seeing and working with old friends. They rehired a lot less which meant we had to do a lot more work. And once we were done with the project we were let go which sucks since you get into a groove drawing and now it looks like it could be a few years until we get another picture, If it even happens again?
Lips: I know that you’re quite passionate about 2-D animation, are you 
feeling more positive about a resurgence in interest in 2-D animation due to “The Princess and the Frog” having great success at the cinema?
Eric: Well unfortunately the film didn’t do quite as well as they were hoping. You have to make about $200 million these days for executives to get excited. It cost $100 million to make and made $105 million domestically. It made millions on merchandise and it’s now just starting to play in Europe and comes out on DVD in March over here. So I’m sure they aren’t going to lose money at all!
We just heard they don’t think it did so well because boys didn’t want to go see the film because it had the word Princess in it. So the next film, Rapunzel which is a computer film, has had its title changed to “Stranded.”
They are starting a “Winnie the Pooh” hand drawn film right now but are only hiring 12 of the 45 artists in my department back whom I worked with on Princess film.
The next hand drawn feature we were to work on in 2011, called “SNOW QUEEN”, has been cancelled because they feel it’s too many girl films in a row. It’s too bad the company is second guessing every film these days. They used to be the leaders in animation and they haven’t been for many years. Luckily they have PIXAR films which make huge amounts of $’s for Disney. They can’t stray too much from what Disney is known for in their hand drawn films and now computer films. And these days the audience I think just wants the kinda films like Shrek and Ice Age.
I don’t think hand drawn films will ever see the days like the ones in the past 70 years. It’s funny, the first animated films were more adult themed like Tex Avery, Bugs Bunny, Popeye even the early black and white Mickey Mouse cartoons, now it’s just a dumbed down medium to babysit your kids and sell toys. There are a few good T.V shows being made now, but nothing like those good old days.
It feels like the USA seems to look at animated films and comics as kids stuff. I think Europe has a more open-minded attitude about the artistry that goes into making these things.
So actually I don’t really feel good about the medium of hand draw films these days at all.
Lips: You also worked on ‘Hercules’ and the animation of the films’ villain, Hades. Did you feel
that Hades’ design was the closest to your own style you got to work on at Disney?
Eric: Yeah that film was a blast and Hades was my favorite character I drew at Disney.The film was based on the designs of Gerald Scarfe who designed Pink Floyd’s ‘The Wall’ album art and animation in the film. Plus Hades felt like you were working on Warner Brothers Cartoon.He had lots of fun poses and snappy animation like the Bob Clampett cartoons.
Lips: How do your bosses and colleagues at Disney react to your pet project Toxic-toons?
Eric: Some thought I was a weirdo and some dug it. It’s to be expected. Most people would tell me after actually meeting me that I was a lot more normal then they expected from looking at my drawings. I’m sure Tim Burton must have gotten the same reaction when he was working there. When I started in 1987 , I had an art show and I was banned from the venue afterwards from having anymore. The guy in charge of shows just didn’t get my work and said to many people thought my art was negative, my art wasnt anything like it is now.
Maybe it was the Ronald Regan head I stuck out of one of my T-shirts saying “Wake me when it’s over”. The higher-ups used to have meetings in this room and I can only imagine what they were saying during the month my weird art graced the walls, Hahaha!
ED ‘Big daddy’ Roth , who created Rat fink, had lunch with me a year later and wanted me to do a short Rat Fink Cartoon. I told him I was banned from having art shows at Disney, and he said “I’d rather be known as the artist who didn’t get to have an art show at Disney then the ones who did”.
Lips: How much of your art is influenced by movies, music and general pop culture?
Eric: Well most my art just comes from what has influenced me through my life and then it’s is kinda blended up in my mind. Mostly stuff from when I was a kid I feel is what you see in my art. Things like The Munsters, Addams Family, Groovy Ghoulies, Halloween time, Monster masks, Monster movies, Frankenstein’s monster, Horror hosts like Vampira, and also things such as Mad magazine, stickers, Odd rods, Wacky packages, Plop and EC comics.
Lips: Your gory ghouls have been featured on many bands merchandise, from Metallica to The Murderdolls. What was your favorite to work on and do you have any more band art work lined up?
Eric: Well they all fun to draw. I really liked working with Wednesday 13 and The Murderdolls,
they are on the same wave length as me. Metallica was fun just because James and Kirk were so nice and supportive of my art. They were wearing my Toxictoons line of shirts all tour and even on a few Magazine covers like Rolling Stone. I also love designing art for The Ghastly ones and Psychocharger. One of my favorite CD covers is for The Creeping Cruds album ‘Tennessee Bloodbath’.
I just did some art for The 69 Eyes which was a lot of fun. I met Jykri the singer of The 69 Eyes at Fangoria convention last year. I don’t have any band art lined up at this moment. But things change day-to-day. I’m working on some new art for ‘Netherworld’a Haunted House in Atlanta. My wife and I have gone there for the past 3 years and sell my merchandise a few days and then get decked out scare the crap out of people inside the haunt. I have designed a few shirts for them and other Haunted Houses in the USA. I love the Halloween season.
Lips: Do you have any thoughts on making Toxic-toons in to an animated feature or comic book?
Eric: Well I would love to see a Halloween animated show, but it’s tough to sell stuff out here in Hollywood as they usually want all the rights to it. I did draw some characters on the Ed, Edd, and Eddy Halloween special called ‘Boo haw-haw’ Back in 2004. I drew the neighbourhood kids so they looked like my monsters but still resembled the kids.
Lips: Are you working on any new projects involving Toxic-toons?
Eric: Yes I just signed a contract with a brand new monster mask company. They plan on making 1-4 masks based on my art this year. They are attending the Transworld Halloween trade show at the end of February and then their website goes up. So lookout for Toxic-toons masks this Halloween on my website www.toxictoons.com.
Lips: Who are your own personal heroes in art, music or films?
Eric: Jack Davis, Bill Elder, Don Martin, Harvey Kurtzman, Basil Wolverton from Mad magazine, Frankensteins monster, Herman Munster, Vampira, Charles Addams, Ed ‘Big Daddy’ Roth and Al Jorgensen of Ministry.
Lips: What are your favorite horror movies? How do you feel about current horror cinema?
Eric: I love the old horror films, like Frankenstein, Vincent Price films, Children Shouldn’t Play with Dead Things, Night of the Living Dead. I like some of the new horror films, but films like Saw and torture films I’m not really a huge fan of. I like ones that are more spooky and campy like Munster Go Home, Premature Burial and Tim Burton’s films. Shutter Island looks like it might be good from the previews I have seen.
Lips: You’ve worked will Bill Moseley and his musical project Cornbugs, how did that come about?
Eric: Well speaking of Bill I just did a shirt design for his new band called ‘Spider Mountain’ and they are now on MySpace. I met Bill at a Fangoria show about 8 years ago, he was in a booth behind ours getting made up as Chop Top and we just hit it off. He then asked if I would design a CD cover for a Cornbugs and I ended up doing 3 for him and now this shirt design.
Lips: You have an amazing tattoo flash set for sale on your website, how do you feel when people get your gruesome designs inked on themselves? Would you have any of your art tattooed on yourself?
Eric: Thanks, I have one tattoo of my art, a Frankensteins monster with bat wings on my forearm. It’s great seeing people come up to me or email me pictures of tattoos they have of my art, I mean it’s the highest compliment to an artists when someone likes your work enough to have it permanently inked on them. A few fans have both arms sleeved with my designs.
Lips: Do you have any plans to release another DVD after the very successful Unkle Pigors Spookhouse?
Eric: Not at this time. I put everything but the kitchen sink in that one, like my animated cartoon I drew back in 1990, The children’s day at the Morgue video and a nice interview my horror host friend Ormond Grimsby put together.
Lips: As a huge fans and admirers of your work, thank you for taking the time to talk with Horror Extreme. Any final thoughts?
Eric: Sure, come on down to WWW.TOXICTOONS.COM and grab some goodies if you like what you see, I have a great special deal on my website for my 3 books, and who knows, you might even end up getting a Toxic-toons tattoo!
www.toxictoons.com
www.myspace.com/toxictoons
www.twitter.com/toxictoonspigor
*All photos used with kind permission of Eric Pigors
COMPETITION IS NOW OVER
We have a bunch load of Toxic-Toons swag to give away to one lucky winner.
You could win:
Ltd Ed SIGNED ‘Netherworld’ poster
Rare SIGNED ‘The Ghastly ones’ print.
Two button/badge packs
A super rare pumpkin witch pendant (Not available to buy ANYWHERE)
Stickers
Send an email to toxictoons@horror-extreme.com to be entered into the competition with the subject “Toxic Toons Competition” and be entered into the draw. The winner will be picked randomly on 27th March 2010 and contacted via email for address details.
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