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Horror Extreme Exclusive: “Skeletons”

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After years of devoting our energy and Falcor to “comic” reviews, we decided we wanted to try something different.  In October of 2009 we bestowed upon the world Surprise, the first zombie film without any actual zombies in it.  We did it just to see if we could, and we were quite shocked by the reaction it got (As were the people who only knew us as stoner comic/critics).

That was just a glimpse of our dark side. It was also an incentive to try and hurt as many people as possible with our work… occasionally.

Ladies and gentlemen, we are proud to present… “SKELETONS”.

Happy Valentine’s Day,
Mike & Ike.

Abertoir Film Festival Schedule

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Schedule 2010

Wednesday 10th November

1700: Countess Dracula + Talk by Dr Kate Egan
1915: We Are What We Are + Short Film: Intercambio
2145: Dream Home
0000: Mutant Girls Squad

Thursday 11th November

1245: Dead Hooker in a Trunk + Short Film: The Familiar
1500: Iron Doors
1700: The Violent Kind + Short Film: Glow
1915: Siren + Q&A (World Premiere)
2130: Djinns (aka Stranded) + Q&A

0000: Mystery Grindhouse with Nicko and Joe’s Bad Film Club

Friday 12th November

1100: Fired (UK Premiere)
1300: Wake (UK Premiere)
1515: Amer + Giallo talk by Dr Mikel Koven
1800: The House on Haunted Hill
2015: The Damned: Live in Concert

Saturday 13th November

1100: Short Films Competition pt 1
1330: Screenwriting Masterclass with Nicholas David Lean
1545: Gavin Baddeley – A History of Vampire Hunting
1700: Vampires + Q&A
1930: A Warning to the Curious – Two Ghost Stories by M R James
2200: Exorcismus (aka The Possession of Emma Evans) (UK Premiere)
0015: I Spit on your Grave

Sunday 14th November

1100: Short Films Competition pt 2
1330: The Silent House
1530: The Cat and the Canary (with live piano accompaniment)
1745: Robin Hardy – The Wicker Tree Preview
1930: Rare Exports (followed by closing ceremony)

Films 2010

AMER

Hélène Cattet, Bruno Forzani, France/Belgium 2009, 90mins, subtitled

A unique homage to giallo, this visual trip through the aesthetics of the genre taps into its very psyche. Following the girl Ana through three phases in her life (childhood, adolescent and adult), it is a film driven by the experience of being seen. Bolstering a fabulous soundtrack taken straight from the original movies, the attention to detail is phenomenal and perfectly captures the feel and even editing style of the original classic giallo pictures.

This screening will have an introduction by renowned Giallo expert Mikel Koven.

THE CAT AND THE CANARY with live piano accompaniment

Paul Leni, USA 1927, 82mins

A classic silent horror film adaptation of John Willard’s 1922 black comedy play of the same name. Directed by German Expressionist filmmaker Paul Leni, this highly influential film follows the story of Annabelle and her family who must spend the night in their uncle’s haunted mansion where they are stalked by a mysterious figure. Meanwhile, a lunatic known as “the Cat” escapes from an asylum and hides in the mansion.

Director Paul Leni was known for blending expressionism with humour and this film was extremely influential in the ‘œold dark house’ genre of films popular from the 30′s through to the 50′s. It was also a very early horror entry for Universal Studios and is considered the cornerstone of Universal’s school of horror.

We are delighted to welcome back silent film pianist Paul Shallcross, who will be playing a score specially commissioned by the Abertoir Horror Festival.

COUNTESS DRACULA with introduction by Dr Kate Egan

Peter Sasdy, UK 1971, 93mins

Based on the true story of Elisabeth Bathory (Ingrid Pitt), the eighteenth-century Transylvanian Countess who indulged herself in an orgy of murder and vampirism.

The ageing Countess discovers by accident that the blood of young virgins has an unnatural restorative effect on her celebrated beauty. Years later, she becomes engaged to a handsome young Hussar and is forced to repeat vile atrocities with ever-increasing regularity to hold off old age.

DEAD HOOKER IN A TRUNK plus recorded introduction

Jen Soska, Sylvia Soska, Canada 2009, 92mins

Set in beautiful Vancouver, four friends set out on an everyday errand and end up in a fight for their lives when they discover the body of a dead hooker left in their trunk. Lead by a sexy, impulsive Badass (Sylvia Soska), her distant Geek twin sister (Jen Soska), their bible thumping, Jesus loving Goody Two Shoes friend (CJ Wallis), and a chaotic, rockstar Junkie pal (Rikki Gagne), the group has to put aside their differences to dispose of the body before they’re next.

Thrown into their own personal purgatory, they face off against persistent police, a sleazy motel manager, chainsaw wielding triads, and a brutal serial killer. All the while they are followed by a mysterious Cowboy Pimp (John Tench) who wants to claim the corpse for his own. Will they uncover the truth behind the body and be able to stand up to their demons? Buckle up and get ready for the ride of your life filled with gun fights, extreme violence, blood, guts, gore, and goats!

Dead Hooker In A Trunk is the unexpected first feature film written and directed by identical twin sisters, Jen and Sylvia Soska. The newcomers created an impossible film that is an underground sensation, destined to be a cult classic and will make you fall in love with films again!

THE FAMILIAR

Kody Zimmermann, Canada 2009, 22mins

Sam has always been obsessed with vampires from the time he was a child. On Sam’s 21st birthday, a mysterious gentleman offers him a peculiar career choice: become an assistant to a real life Vampire. Intrigued and enthusiastic, Sam takes the job but soon realizes that it is not so cool or pleasant to serve his master’s corrupt and neurotic behaviour.

DREAM HOME

Ho-Cheung Pang, China 2010, 96mins, Subtitled

Probably the first horror film about the sub-prime mortgage crisis, this enjoyably violent film tells of a frustrated prospective home-buyer who will do anything to reduce the price of a Hong Kong apartment she has her eyes on’¦..

Screening sponsored by the Lampter Confucius Institute

R.I.P.

Jan Doense, Netherlands 2003, 7mins

Night has fallen. A thunderstorm approaches. In a lonely house a young woman mourns her deceased husband. In the cemetery across the street the shape of a man rises from his grave…

UK PREMIERE - EXORCISMUS

Manuel Carballo, Spain 2010

From the producers of REC, this latest film follows 15-yr-old Emma Hawkins. Restless, tired of her overprotective parents and sick of having to watch her younger brother all the time, she hopes to get away and have a life of her own. Suddenly, Emma’s life changes in an unexpected way when she starts having frightening fits. Although her parents attribute her behaviour to psychological problems, Emma senses that something much darker is hiding inside her. As the situation gradually worsens, it becomes clear that whatever is hiding inside her won’t be hiding for much longer. Starring Stephen Billington and Abertoir favourite Doug Bradley.

UK PREMIERE - FIRED

Sajit Warrier, India 2010, 90mins

Joy Mittal, the arrogant CEO of H.W.L.S, in a hardnosed decision to repair his scandal ridden work record, and prove his ability to emerge as a pioneering leader in times of financial crisis, fires all the employees from his London office. Amongst the sacked employees is Ruby Herminson, an alluring, sophisticated, career-driven woman, with whom a married Joy is having a long affair. Joy fires Ruby along with the rest of the people he considers expendable.

After a trying day, Joy wraps up some paperwork and tries to head home, but soon realizes that the only possible way of leaving the office is the one he least bargained for. Cornered in a deserted office, Joy discovers the monstrosity of the gruesome supernatural force in the building, which is hell-bent on extracting revenge for his ruthless actions.

A film that caused controversy in India, this is a fascinating movie that plays out in real-time.

THE HOUSE ON HAUNTED HILL

William Castle, USA 1959, 75mins

What Abertoir festival is complete without our unofficial patron saint Vincent Price making an appearance? A rich millionaire (Price) invites a group of people to his mansion with the promise that if they survive the night, they will receive $10,000. Castle was a fond lover of gimmicks, and frequently employed a number of surprises for the audiences who attended his films. However, we do stress that this particular screening is so frightening that you should only attend if you’re sure you can stand it’¦ we wouldn’t want to have to remove you now would we?

IRON DOORS

Axel Wedekind, Germany 2010, 80mins

A young man wakes up in a cellar with no windows, an eerie neon light and a huge vault door made of impenetrable steel. The room is empty, except for a dead rat and a mysterious rusty locker he doesn’t have the key for. The man thinks he’s the victim of a particularly cruel practical joke, but soon he realises he’s going to die of thirst and hunger if he doesn’t quickly figure out how to escape. However, it seems there’s no way out’¦

I SPIT ON YOUR GRAVE

Steven R. Monroe, USA 2010, 107mins

Not released until February 2011, this is a special advance screening of the new remake of Meir Zarchi’s controversial 1978 cult horror film. A beautiful woman from the city, Jennifer Hills, rents an isolated cabin in the country to write her latest novel. Soon, a group of local lowlifes subject Jennifer to a nightmare of degradation, rape and violence. Left for dead, she returns for vengeance, trapping her male attackers one-by-one’¦

MUTANT GIRLS SQUAD

Noboru Iguchi, Yoshihiro Nishimura, Tak Sakaguchi, Japan 2010, 90mins, subtitled

From Kurosawa and Ozu through to modern day directors such as Yôji Yamada, Japanese cinema has also been renowned for its subtle expression of human emotions and family drama. If you are a connoisseur of this unique heritage of cinema, then we recommend renting Rashomon and staying far far away’¦

Yes, this is the ultimate in Japanese splatter, teaming up three of the country’s leading gore experts: Noboru Iguchi (ROBO-GEISHA, THE MACHINE GIRL), Yoshihiro Nishimura (TOKYO GORE POLICE, VAMPIRE GIRL VS. FRANKENSTEIN GIRL) and Tak Sakaguchi (DEATH TRANCE, VERSUS, SAMURAI ZOMBIE).

Rin is a seemingly normal Japanese high school girl. Yet after witnessing her mother’s face blown into bits and her fatherʼs severed head falling into her birthday cake, Rinʼs dormant mutant abilities are suddenly awakened transforming her into a brutal killing machine’¦. Going on the run, she encounters a group of girl mutants including one who can grow a chainsaw from her body, and another one who can grow tentacles from her fingers. The team hone their skills to take revenge on the Japanese population and transform the country into a mutants only zone.

Think X-Men with tentacles’¦

MYSTERY GRINDHOUSE In Association with Nicko & Joe’s Bad Film Club

A long-standing tradition in the Abertoir schedule is our extremely popular Mystery Grindhouse. A film so terrible and cringe-worthingly bad, that we have to clean our screens after showing 90 minutes of pure crap. Well, this year will be no exception, and we are delighted to welcome comedians Nicko and Joe who will provide a live commentary to destroy what little shreds of credibility this mystery film ever held.

For the first time the shackles of polite cinema etiquette are discarded as the audience are encouraged to jeer, heckle and participate with the film creating a unique interactive cinema experience. Because, as we know, nothing is as much fun as watching a bad film with friends but, then again, nothing can be more soul destroying than watching one alone…

“Taking the piss out of such movies in the rowdy, bear-pit atmosphere that Nicko and Joe encourage is, I think, a way of reclaiming some of the time we’ve lost to all those bad films’¦I suspect this goes to the heart of the Bad Film Club’s appeal.” Time Out

RARE EXPORTS

Jalmari Helander, Finland 2010, 80mins, Subtitled

In the depths of the Korvatunturi mountains, 486 metres deep, a team of experts are drilling for something. When a herd of reindeer is brutally ripped apart and children start to disappear, it appears the Christmas stories of Santa could not be more wrong. Stylish, award-winning film with a brilliantly warped sense of Tim Burton-esque humour.

THE SILENT HOUSE

Gustavo Hernández, Uruguay 2010, 80mins, Subtitled

With expert direction and camerawork, this is a film guaranteed to make you jump out of your seat. Not content with a regualr setup, The Silent House goes one further, and that’s because it was shot in just one single take. With great attention paid to the production values, and a true maturity to handle the shocks, this is a technical, visual and atmospheric achievement unlike any other in horror history.

Laura and her father arrive at a remote cottage on the eve before their contract to renovate it begins. Dank, dark, gloomy and bereft of electricity – forcing the pair to rely on battery lanterns and candles – they sit and wait alone while the house owner heads out for food. He leaves them with only one instruction: Don’t Go Upstairs. When her father does just that to investigate some strange noises, Laura’s stark staring fright night commences’¦ Strong, compelling and mesmerising, THE SILENT HOUSE is a remarkable exercise in spine-chilling terror.

WORLD PREMIERE - SIREN plus Q&A with producer Christopher Granier-Deferre

Andrew Hull, UK 2010, 86mins

Escaping the city for a weekend away, company man Ken and his girlfriend Rachel meet up with an old friend, the exotic and worldly Marco. Their plan is simple — tour the local coast for a relaxing weekend in the wilderness. Things hit a snag when Marco spots a beautiful young girl, the sultry and seductive Silka, waving for help off the shore of one of the many secluded islands. But if anyone needs help now, it’s them… SIREN is a terrifying tale of lust and revenge set on an abandoned island in the Mediterranean.

We are delighted to welcome producer Christopher Granier-Deferre for a Q&A after the screening.

VAMPIRES plus Q&A with producer John Engel

Vincent Lannoo, Belgium 2010, 88mins, Subtitled

Brilliantly funny mockumentary focussing on a family of modern-day vampires living in Belgium. Bored with immortality, they spend their time going about their ordinary lives: attending classes on blood-sucking, eating illegal immigrants, children and handicapped folk, and taking every advantage they can to suck out of the country’s social system. Samson, a seventies throwback, lives his 55th year like he’s forever 20. Grace, an eternal teenager bent on being human again, keeps committing suicide. While George, the patriarch, manages as best he can, heading the eccentric family and its on-going squabbles with the neighbouring vampires’¦

We are delighted to welcome the film’s producer John Engel here to Aber for a Q&A following the screening.

THE VIOLENT KIND

The Butcher Brothers, USA 2010, 96mins

Troubled Cody (Cory Knauf), a second-generation member of a violent and notorious biker gang, rides out with his friends to a party at a farmhouse located deep within the redwood forest. At the end of the wild evening, things take a turn for the worse when Cody’s ex-girlfriend Michelle (Tiffany Shepis) is discovered wandering aimlessly and covered in blood, screaming and convulsing. Cody and the others desperately try to get help for Michelle while stuck in the middle of nowhere, but their plans are quickly ruined when another malicious gang turns up. But what they want is far worse than just picking a fight’¦.

The Violent Kind is a rare film, blending genres and twisting expected storylines to give a memorable and fun film. We dare you to guess the ending.

GLOW

Lee Burgess, UK 2010, 15mins

In the Valleys of South Wales a lonley spirit lingers in the dark, searching for his lover.

UK PREMIERE - WAKE

Chad Feehan, USA 2010, 110mins

Driving to a wedding in LA through the Mojave Desert, Paul and Adrienne pull off the highway and into Roy’s Motel and Café. This roadside artifact proves to be a strange and surreal place with an unsettling mix of travellers, who force our couple to discover the horrifying secret hidden between them. Directed by the producer of the excellent All the Boys Love Mandy Lane.

WE ARE WHAT WE ARE

Jorge Michel Grau, Mexico 2010, 90mins, subtitled

Already being heralded as the new ‘œLet the Right One In’, this Mexican film is a powerful and compelling look at cannibals in a modern-day society. After a middle-aged man dies in the street, he leaves his widow and three sons destitute. The devastated family is confronted not only with his loss but with a terrible challenge – how to survive. As cannibals, they have always existed on a diet of human flesh consumed in bloody ritual ceremonies… and the victims have always been provided by the father. Now that he is gone, who will hunt? Who will lead them? How will they feed their horrific hunger?

INTERCAMBIO

Antonello Novellino, Spain 2010, 15mins, subtitled

In a village in Eastern Europe, beset by soldiers, its people seek different strategies to survive. But gradually the situation is complicated to limits that were never suspected


Abertoir Horror Festival Announces Fifth Birthday Schedule

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Abertoir Horror Festival
Aberystwyth Arts Centre
Weds 10th – Sunday 14th November 2010

Wales’ National Horror Festival, Abertoir has announced its 2010 line up.

The festival which runs between Wednesday 10 – Sunday 14 November at Aberystwyth Arts Centre will show more than twenty films, including UK premieres, cult screenings and classics from around the world, as well as a whole host of special guests, talks, masterclasses, live music and theatre events. Enthusiastic fans will flock to the seaside town for a programme that is guaranteed to be scary, creepy and quirky!

Festival Director Gareth Bailey is excited to welcome Abertoir festival-goers this November:
‘œAs Abertoir turns five years old, the team has worked tirelessly to put together a fantastic line up of films from around the world – from genre-defining classics, to the latest offerings in horror, we’re looking forward to meeting new festival-goers and welcoming old friends.’

Legendary band The Damned will provide music on the Friday evening, supported by Abertoir favourites Zombina and the Skeletones. On the Saturday evening, Robert Lloyd Parry presents his acclaimed one-man show with a creepy candle lit telling of two ghost stories by M R James in A Warning to the Curious. The ever-popular Mystery Grindhouse screening returns for another year this time with a hilariously sarcastic commentary provided by Nicko and Joe’s Bad Film Club. As always the festival will feature a classic silent horror film, this year The Cat and the Canary, with live piano accompaniment by Paul Shallcross playing a score especially commissioned by Abertoir. Wicker Man director Robin Hardy (who helped to launch the festival five years ago) also returns to discuss and show scenes from his brand new film The Wicker Tree. Director Nicholas David Lean presents an exclusive horror film making masterclass, while while occult expert Gavin Baddeley will be giving a tongue-in-cheek talk on vampire hunting.

Big screen highlights include the world premiere of British psychological horror Siren, as well as UK premieres of Exorcismus, Fired and Wake. Classics include Hammer Horror’s Countess Dracula and William Castle’s The House on Haunted Hill while the rest of the lineup features a terrific selection of brand new films from across the globe. All of which, except for the classics, will be the first time screened in Wales.

Abertoir’s short film competition celebrates its third year, and this year offers entrants the exciting prospect of having their films considered alongside winning short films exhibited at film festivals across Europe. Now a member of the European Fantastic Film Festivals Federation, Abertoir is delighted to be awarding the winning short film a nomination for the Méliès d’Or decided each year at the Sitges International Fantastic Film Festival.

Festival passes are just £47.50 and get festival-goers free entry to all films and special events. Individual tickets for screenings and events are also on sale. To book, telephone the Box Office on 01970 62 32 32 or visit www.abertoir.co.uk.

Interview with the Soska Sisters – Part 2

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THIS IS PART 2 OF THE SOSKA SISTER’S INTERVIEW… Click Here for Part 1

Hellbound Heart: Talk to us a little about your documentary film ‘˜Please Subscribe’, based on popular YouTube broadcasters’¦how did you decide to make this documentary?
Sylvia: I love YouTube. Absolutely love it. You get to see all these real-life normal folks that are so talented, funny, and creative broadcasting through a medium that anyone can use. We were still finishing up with Hooker and hadn’t had the opportunity to do anything creative for a while. We were watching our favourite viral celebrities online discussing what we should do next, maybe a documentary, and I suggested we try to do one about people we already enjoy and would like to know more about. We got into contact with David Choi, HappySlip, Tay Zonday, and Daxflame and they were courteous enough to take part in the project. You never know how people you watch for entertainment are going to be when you meet them in real life, but all of them were so genuinely nice, funny, smart, and lovely. We still talk to them on a regular basis as friends – just the kind of people you want to have in your life. The film, ‘Please Subscribe’, is getting to a final cut and will be doing the film festival circuit soon.
Jen: I truly feel that Youtubers are the new generation of independent film makers. They are masters of the short film. The time, intelligence, and skill that goes into much of their work blows me away. I’m in awe of how so many of them can pump out so many amazing videos and so frequently. They are so dedicated to their work and their business and their fans. They’re so innovative and always coming up with new ways to entice new viewers and satisfy their fan base. It’s incredible.

Hellbound Heart: You’ve taken part in – and done really well in – some short film contests lately, including a sharp short film titled Bad Girls and the film you made for the ‘˜Film Racing’ challenge. How did you get involved with these projects, and how did you find making these shorts?

Sylvia: CJ, Jen, and I all live together and usually work together on different artistic projects. If we aren’t working on something – rewrites, trying to get money together, shooting a video – we miss it. We are always working on new projects and planning what we will be doing next, but it’s not easy to just film a feature on a whim, so short films are awesome. For the timed short contests, it gives that same pressure on thinking on your toes while getting everything written, shot, and cut in a time frame. It’s great practice and it also gives you some really fun projects.

Thank you for your kind words about Bad Girls. We get a lot of shit for that one. My aunt in Europe saw it and now worries about us. I prefer there to be something realistic and awful about the violence in our films because when violence happens in reality there is no cutaway to spare the victim. Also, if something upsets or haunts me from real life – like seeing a kid’s eye get knocked out – I put it in a movie to share my horror with an audience. Most of the films in that competition were comedic horror, so Bad Girls kind of surprised people.

Jen: I love doing fast film competitions. It really keeps you on your toes and is great practice for indie film making. When you’re an independent film maker, there is great importance in problem solving and practical thinking. Truly, you never know what will go wrong or not go according to plan. When you do a fast film, you really just jump into it and give it everything you’ve got. That really is the spirit of independent film.

I’m very proud of our collective short films. I particularly enjoyed playing the Hornet. I miss her. Believe me, you haven’t seen the last of her.

Hellbound Heart: A lot of your stuff has a comic-book element to it – you actually play superhero characters in The Hornet, and you guys use a lot of cartoonish violence, snappy, sardonic dialogue, a dry sense of humour’¦where does that come from?
Sylvia: Reading lots of comic books and playing video games our whole live. I love sitting down and reading a great graphic novel – Preacher is amazing as are Ennis’ Punisher comics – or having a few days off to play a new game, kill some evil, save the world a bit. My mom always used humour to deal with things that scared us (like the horror movies we begged to see). I was terrified after seeing Poltergeist and my mom came in to watch the end of it and made a bug joke of all the horror. I still laugh when I watch horror movies – it makes me happy. I use humour for a bunch of situations in life. If things are shitty and you can still laugh about them, then it’s really not so bad.
Jen: We’ve always been hopelessly addicted to comics. And passionate about them. They definitely affect and influence our work. We can’t help but add our sense of humour to our work. I feel it’s something that sets us apart from others. I guess I would attribute our dark senses of humour to our mom and mister Stephen King. My mom had (and has) every book he’s ever written. At an early age (elementary school), she let us each pick one to read. If we came across a word we didn’t understand, we’d just look it up. Never could hunt down that oh-so-frequent “fuck” word. I just assumed it was some uncommon, yet commonly used sentence enhancer. I picked Pet Semetary and Sylv picked Cujo. Stephen King has a beautiful way of adding humour to his work. It always seemed natural to us and that would be where we began to develop it.

Hellbound Heart: Female filmmakers are still a minority in the scene, although -as I can attest – female horror fandom seems to be on the rise, with more and more women represented in festivals and screenings, and things do seem to be changing’¦as both fans and filmmakers, do you think the horror/indie scene has been welcoming? Do you think you have faced any particular issues?
Sylvia: Going into making Dead Hooker in a Trunk, we knew that we would have to have craziness to get people interested. The title alone has gotten people fascinated in the film, but has also had people get instantly turned off from the film. The horror community has been very welcoming to us and Dead Hooker in a Trunk. Once we actually finished the film and started showing it to people, everyone had really nice things to say. Before the film was finished we had a lot of locals calling the film and our ambition too ambitious and crazy. I had a well-known actor turned teacher call storm off set and call me a cunt because I wouldn’t give in to his temper tantrum during the fake trailer and he still does today. You have to look at things like that as sad. Enemies are a waste of time and effort.
Jen: We’ve really been embraced by the horror community. Perhaps we’re just fortunate or all the cruelty is done behind our backs. I’m really grateful to the horror community for their support of us and our work.

I still think that we do have a ways to go in the way of the work. Simply because a film is made by a woman we shouldn’t think it’s wonderful or crap. We should let the work speak for itself. If a man makes a movie and its shit, everyone jumps on him. I’ve seen women make crap and have their work protected because it was apparently some great accomplishment that the poor dear even tried. Now, don’t get me wrong. I have a great deal of respect for any man or woman who has the balls to go out and make a film. It’s rough and you deserve a lot of credit for pulling it off. However, I’m a feminist who believes women shouldn’t be cut breaks because of their gender. Even if it’s positive, it’s still sexist. I think men and women should be treated as equals [Amen to that! - K]. Besides, it toughens women up. And you need to be tough in this business. You ever read the Preacher comics? There’s a bit Sylv loves where one of the badasses are talking about terrorist situations and he says kill the women first. Because if a woman is standing among those men, she’s not only worked every bit as hard as them to prove she deserves to be there, she’s blown away her male competition and she is truly a threat to be reckoned with.

Hellbound Heart: Okay, some more light-hearted questions for you both – I’d like to ask, what films have you been enjoying lately?
Sylvia: I recently saw Martyrs and it rocked my little horror nerd world. It was beautiful and disturbing and epic. Every fan boy and girl should check it out. I have a huge respect and admiration for Asian horror – like Suicide Club, Machine Girl and Old Boy. We have this ritual where we go to our local indie movie rental place and we each grab a movie that looks cool from their horror section.
Jen: We LOVE going to out and renting three movies and then randomly watching them all in one night. I’m proud to say we watch something new pretty much every day. I rented Happiness Of The Katakuris recently on the recommendation of female femme fatale film maker and friend, Marichelle Daywalt. I adore Takashi Miike and musicals so when she told me he made a musical and intentionally cast actors that couldn’t sing, I was hooked. We saw Inside recently. I loved it. Aside from the cat violence. I hate cat violence. We saw Inception in the theatres with Daxflame (if you don’t know who he is, check him out!) It was visually magnificent. I’m a big fan of practical effects. We saw Deep Red, which was rad. I forced Sylv and CJ to watch Psycho Beach Party with me because it had a Buffy cast member in it. It was pretty brutal.

Hellbound Heart: What are/is your favourite…
Films?
Sylvia: American Psycho is my absolute favourite for witty satire and sexy horror and it was directed by the incredible Mary Harron. I also love Suicide Club, Audition, The El Mariachi Trilogy, Twins, The People Versus Larry Flynt, The Classic, and Ghostbusters.
Jen: American Psycho. Sylvie and I quote that movie all the time. I’ll sit down with her after going to piss and say, “they don’t have a good bathroom to do coke in” or “there are no girls with good personalities” and high five her. God, we love that movie. I love Twins (no shit, right?), Memoirs of a Geisha (on the inside, I AM Japanese), Jurassic Park (in a cheesy way, I love having “quote competitions” and am currently undefeated), State and Main, Suicide Club, Bringing Up Baby, The Good The Bad And The Ugly, and Who Framed Roger Rabbit? I’m also a big Joss Whedon fan and have been in love with Dr Horrible and his Musical Blog.

Hellbound Heart: Music?
Sylvia: There’s this rad indie band called The Antlers that has a wicked song called ‘Sylvia’. I’m not just being narcissistic, their whole album is great. I also like The All-American Rejects, She Wants Revenge, Chris Issac, and Jay Z. I like a variety of music.
Jen: I adore movie soundtracks. I really like Danny Elfman. I love 80s music, Rolly Teranishi, Queen, Fiona Apple, The Moody Blues, Rammstein, Glee, all sorts of weird stuff that doesn’t seem to go together, ha!

Hellbound Heart: Food?
Sylvia: I love Hungarian food like any good Hungarian girl. Spicy food rocks, but I’m also a dedicated fan of Burger King’s Whopper.
Jen: Sushi! Good God, I love sushi. Yam tempura, Salmon and Tuna sashimi, I’m salivating as I write this…

Hellbound Heart: Drink?
Sylvia: I live off of energy drinks – Redbull, Rockstar, and 5-Hour Energy are great. Coca Cola is my favourite pop and Malibu Coconut Rum is my favorite big-girl drink.
Jen: Jack Daniels. Single or double shot and don’t you dare put it on ice.

Hellbound Heart: Locations?
Sylvia: I really would like to travel more. I love my hometown, Vancouver, it’s beautiful – mostly when we get a break from the lovely rain. We’ve been going to California a lot lately and I would love to move down there in the next couple of years. It’s got such a history to it and some incredibly interesting and entertaining people live there.
Jen: I love Vancouver. It’s my home and it’s absolutely beautiful. I love it here. I’ve always wanted to visit New York (for comic book nerd reasons), Egypt (because it’s always interested me), and, more than any other, Japan. I’ll be so happy the day I finally get to go.

Hellbound Heart: Who are your role models?
Sylvia: I have also wanted to meet Robert Rodriguez – his book and films have had a huge impact on our lives. I really admire Vincent Price’s work and contribution to horror – he made it so interesting and classy. Mary Harron made my all-time favorite movie and she had to deal with a lot of shit for the subject matter, but despite the controversy made a smart, edgy piece that is still hip today.
Jen: Sue Sylvester.

Hellbound Heart: Steve asked me to ask you both for nude photographs. My question therefore is, how do you think Steve should be killed?
Sylvia: There’s a saying if men misbehave with women they get a daughter and if they are really bad – they get twins. Tread carefully, Steve. And please name them Jen and Sylvia. I read that there was this little boy fucking around in his bunk bed who tripped and fell out. The real zinger is that his dick got caught on a hook and he hung there until it the weight of his body made it rip clean off. I could always get a hook.
Jen: I had a morbid friend in high school that was always thinking up ways to commit suicide or kill people. To my knowledge, he never did either. One method has been stuck with me. I know nothing about chemistry like he did so bare with me. It was something like this… Drug your victim and put him in a metal bathtub tied and holding a rope. The rope is connected to a bucket over the tub that keeps it from tipping into the tub. In the tub is part of a solution for a highly concentrated acid. The missing ingredient is in the bucket. As the drugs kick in, the victim loses his ability to hold onto the rope. The bucket tips, the victim melts, and Steve learns to be careful what he asks for ;)

Hellbound Heart: What are you girls working on at the moment; what are your future plans?
Sylvia: We have a screening in Vancouver of the final cut of Hooker in the next two weeks that we are organizing as a thank you to everyone who locally supported and pimped the film. As an added bonus, we are showing a teaser which is the first glimpse to our future project, ‘American Mary.’ We’re filming this week – we have a wonderful actress and great prosthetic team to make something weird and memorable. We’ll have it up on the site after the screening on August 13th.
Jen: The screening is our current obsession. We want to thank our town and fans for all their support of us and the film by giving them a night they’ll never forget!

Hellbound Heart: Is there anything else you’d like to add?
Sylvia: Thank you very kindly for talking with us. With an independent project like Dead Hooker in a Trunk, we don’t have the kind of money to promote the film with commercials, billboards, or magazine advertisements, but through interviews like this, people reviewing the film, people requesting it in their towns, people telling their friends about it – it gives the film this life that it could never have without the support. This was a totally fun interview to be a part of, so a big thank you to you. Also, if you are reading this and want to see the movie send us a message through our website -http://www.twistedtwinsproductions.net and we’ll do our best to get it to a screening near you!
Jen: Thank you so much for your time! It has been a pleasure!

You can find out more about The Soska Sisters and Dead Hooker in a Trunk at the following links:

All photos used with kind permission of Jen and Sylvia Soska


Interview with Ryan McDermott

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Co-writer, star, creator of the Macbrow and all round nice chap Ryan McDermott gives Horror Extreme to low down on the award winning horror-comedy short “Mark Macready and the Archangel Murders” before it’s official unleashing on the world this Saturday 19th June. We learn the past, the present and the future for Ryan, the crew and their creations plus are promised some coprophagia love at the launch party which will be streamed live over the internet if that is your kind of thing.

Steve: What were the inspirations for Mark Macready and the Archangel Murders? Are you a huge horror fan? What movies inspired you to make this film?
Ry: To be honest I’m not really a huge horror fan, I love the nature of the genre and the people, but I’m not an avid horror movie watcher. I personally love a good summer blockbuster; most of my favourite movies are flicks like Jurassic Park and Indiana Jones. But I do enjoy a good B-Movie. As filmmakers one of our favourite bad movies of all time is Death Wish 4: The Crackdown, if you haven’t seen it I highly recommend it with a pizza and a few beers. That particular film was responsible for so much when it comes to ‘The Archangel Murders’ from performances to shots that Sean Candon (Director) chose to homage. I’d say though that the overall inspirations for ‘Mark Macready’ were from various films and TV shows such as Hellboy, The X-Files and The Naked Gun trilogy. Paul Feeney (writer/creator of Mark Macready) and myself met in college way back in 2002 and Paul presented me with the concept for ‘Mark Macready’ which we actually filmed for our end of year project. Paul pitched it to me as ‘a British X-Files’ and that struck accord with me as I loved the show. The first script was fairly serious however once filming started I began to do a really poor man’s David Duchovny impression and so it soon became farcical and I guess the rest is history. From there it became the horror comedy parody that you’ll all see on June 19th.

Steve:How did you manage to make such an impressive movie with such a low budget? As well as a talented cast there is obviously a lot of talent behind the scenes and last time I checked these things don’t come cheap. Was everyone involved for the love of movies or are you up to your eyeballs in sexual favour debts?
Ry:As you can probably guess my jaw is constantly locked and my privates kept on ice! Well we were very lucky to have the talent that worked on the film. Most actors and crew members turn up, do their job and then go home, they get a DVD in the post six months later and never see each-other again. But from day one as the producer I strove to ensure it was different, because everyone was their simply for the ‘love’ of making a film I wanted the cast and crew to become a family and it happened very quickly. It’s over twelve months later and we still socialize and support each-other, it’s a lovely thing to be part of. With regards to the film making an impression I think it was the determination and belief in the product. I made it a personal mission to ensure that the film was marketed to its fullest potential and in the last six months via twitter it’s become one of the most interactive films around. The great thing about the product is that there’s no catch, no gimmick, its genuine, we’re not asking for money, just support and I think people picked up on that, I think we made an impression through being honest, open and admitting this isn’t an Oscar winning film but its sure got brass balls and a ton of ambition.

Steve: The Archangel Murders seems to have taken the planet by storm since it was first reviewed, did you ever expect such a huge interest in your movie? Apart from the fact that it is a fantastic short, what else do you think has propelled Mark Macready into the limelight?
Ry: I never expected this much interest, not at all. I had personal goals for the film and I remember writing a list in early 2008 of the things I hoped the film would achieve, there was five things and all of them have happened from screenings in NYC to award wins. Back then it was a dream, we hoped people would be interested and now it’s become a reality, which to me proves that if you work hard you can achieve great things. I think what has propelled ‘Mark Macready’ has been the drive to put the product out there, the marketing hasn’t stopped for twelve months, it’s been relentless and the message has reached across the globe. Going back to what I said earlier I think using a tool like Twitter to engage with some of the most amazing people you could ever wish to meet has aided that awareness. Twitter brought a new lease of life to the project and I’ve had the pleasure of meeting some people I’d actually call friends from simply 140 characters. However when all is said and done your marketing can only be as good as your product and I think that myself, Sean and Paul strove to ensure that the film was the best it could be on the smallest amount of money. We did reshoots we couldn’t afford simply to ensure it was the very best it could be and I think that people have picked up on that despite the limitations it’s a film with tons of heart, passion and drive.

Steve: The movie will be unleashed on the public on June 19th 2010, how does this make you feel? Excited, nervous, horny, homicidal, something else or all of the above?
Ry: I think horny, defiantly horny and I guess a little sad too. It’s a very trouser raising experience to know that a film you’ve poured your heart and soul into is about to go off around the World Wide Web. It’s sad to know that this is the end of the journey for the film in its current form but it’s time to move on, I’m confident that now is the time to see the film out in style, the anticipation has reached fever pitch and if we delay it any longer people will lose interest. It’s time to let the chick fly the nest and I really do wish it all the luck in the world, it’s been a life changing project to be involved in. I guess I am slightly nervous about the Live Stream from the Interactive Launch Party, you’ll be able to see the cast & crew alongside some very special V.I.P guests partying to celebrate the release live with interactive questions from Twitter, I just hope nobody is sick on camera!

Steve: What plans do you have for the future with regards to the entertainment industry? Will there be a full length Macready feature or do you have something new up your sleeve… maybe a pop song or a breakfast cereal?
Ry: I hadn’t thought of a pop song, would you be interested in Macready sings the Christmas Hits album!? Next up is the ‘Mark Macready’ feature film, I read the first draft by Paul and its coming on so well, it’s a huge script, so epic and exciting. Whilst Paul is writing I’m busy working on financing and developing the interactivity that’s going to play a massive role in the production of the film. It’s going to be the most interactive feature film ever made, which is something I’m extremely excited about. I’m also currently overseeing production on the ‘Mark Macready’ animated prequel movie, set before the events of the ‘The Archangel Murders’ and I’ve had the fantastic opportunity to work with animation director Gavin Johnson on the project. Other than pop songs and cereal I’ve just started to turn my attention to a project for YouTube that I’ve been developing, it’s not ‘Mark Macready’ related but it’s something fresh and fun and I’m really excited about it, so I guess watch this space is what you say next!?

Pazuzu: If on the 19th you had to choose two other people to be human centipeded with or end up dead in a dumpster, who would they be and what position in the chain would they be in?
Ry: I’ve had to consult help on this question and I still don’t know the answer! I cannot decide who! I know, I know, I need to provide an answer but I honestly don’t have one. How about me, you and Lipstattoo do a human centipede?! Could be a kinky Horror Extreme special!?
Pazuzu: Deal! I will publish the photo’s here.

Steve: Any last words, shout outs or thanks and where can our readers find out more about Mark Macready?
Ry: I’d like to say a huge thank-you to everyone who has supported the movie over the last twelve months, it’s been fantastic to meet so many brilliant people and I’d like to thank the very loyal and dedicated Mark Macready cast & crew for supporting the film. Finally a massive thanks to Horror Extreme for being a support since day one, it’s beyond appreciated!

I hope you all enjoy the film and be sure to watch our Live Stream party on June 19th we’ll be taking your questions in what is set to be an indie horror film first…selling it right up until the last minute!

You can find out more about Mark Macready and the Archangel Murders at these places:

Follow Mark Macready on Twitter
Mark Macready and the Archangel Murders on IMDB
Mark Macready and the Archangel Murders on Facebook

Can’t wait for the 19th June? Check out the trailer for Mark Macready and the Archangel Murders below ya bastards:


Interview with Mike & Ike

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Mike and IkeNearly everyone will have heard of Mike and Ike the chewy, fruit flavoured fat-free candies and most will have heard of Mike and Ike the budgies of so many hilarious YouTube videos. Unfortunately it doesn’t seem that enough of you know about Mike and Ike the entertainment gurus for the neo-millennium and the officially acknowledged unofficial spokeswhores for Evil Dead-The Musical. Well you should as society would benefit from their fame! Here is why they hate budgies but can still tolerate candy.

Steve: Firstly by way of introducing yourselves can you let me know who’s not Mike, who’s not Ike, what do you do and why do you do it?
Mike: (English accent) Well, there are a lot of Mikes.
Ike: (Southern accent) There are a lotta Ikes.
Mike: There are even more not Mikes.
Ike: Ditto.
Mike: But we are the ONLY Mike & Ike.
Ike: Except for the candy.
Mike: (Short pause) We are the ONLY Mike & Ike that matter.
Ike: And what do we do?
Mike: We smoke an exceptional amount of pot, we watch an exceptional amount of entertainment, and, in the long term, we are building an all encompassing media empire. In the short tern, we are building an army of higher life forms that appreciate artistic genius and are tired of the continual short comings of overpaid, douche bags. And why do we do it?
Ike: Cause we’re stoned.

Steve: Apart from being the entertainment gurus for the neo-millennium, you are also officially acknowledged unofficial spokeswhores for Evil Dead-The Musical, what is your connection with said musical and what makes you two the spokeswhores?
Mike: We first heard about the show in 2006 before it came to Broadway.
Ike: We knew it had dancin’ zombies, we knew it had a song called “What the Fuck was That”, we knew we had ta see it.
Mike: You know, all this information is available in the archives at Mike & Ike at MySpace
Ike: But since we know you’re a lazy bastard like us, here are the bullet points:
Mike and IkeMike: We heard about the show, we started whoring it before we saw it. Because of our whoring, we got written and video interviewed with both the 2006 Broadway cast AND the 2007 Toronto cast. After that, we asked George Reinblatt, who wrote the book, lyrics, and a lot of the music, if we could give ourselves that illustrious title and he, being a fan, said yes.
Ike: Shameless self whorin:’ There was a production last year here in Ohio. Partially because of us, that became the longest running show in the the-ater’s history.
Mike: Definitely because of us, Mr. Reinblatt came down to Ohio to see the show, and loved it.
Ike: And THAT’S what makes us the officially acknowledged unofficial spokeswhores for Evil Dead-The Musical
Mike & Ike: (Together) THE GREATEST PIECE OF ENTERTAINMENT IN THE HISTORY OF HISTORY PERIOD

Steve: You obviously have a great passion for as well as a great knowledge of some obscure areas of horror. What about the horror genre makes you foamy at the crotch and what horror movies have had the most impact on your state of mental unfitness?
Mike: Humor and horror have a lot in common. There is a set up, there is a punchline, and there is a physical response. The only real difference is the response.
Ike: And we like scarin’ people. We think it’s funny.
Mike: And as for horror films that have unfitted our mentality, here is a brief list: The Exorcist
Ike: George Romero’s Day of the Dead.
Mike: John Carpenter’s Halloween.
Ike: Anthony Spadaccini’s Head Case.
Mike: And Sleepless in Seattle.
Ike: Oh fuck, I forgot about that thing.
Mike: I didn’t.

The Real Mike & IkeSteve: Another of your passions seems to be the bountiful herb garden created by our Lord Satan to make us question the existence of God. How do the magical herbs available inspire and influence your quirky methods of film critique?
Mike: Two things: 1. When we’re stoned, it’s a lot easier to notice plot holes and the never ending stupidity of most Hollywood films.
Ike: And B. Half a Falcor and 20 minutes a writin’ and we had the script for Surprise which 15 people now have said scared them more than Paranormal Activity.
Mike: Pot makes you lazy, my ass. It makes you as lazy as you want to be.
Ike: And by the way, Satan did not bless us with pot. Paladine did.
Mike & Ike: (Together) Palido Calib.

Steve: What is in the pipeline for Mike and Ike with regards to world domination of the entertainment industry? What can we expect to have seen from you two in five years time?
Ike: Depends on when someone gives us money.
Mike: Or wider exposure.
Ike: I want the money. If I want exposure I’ll go to the library again.
Mike: Know this. We have a very detailed business plan. All we need is the exposure.
Ike: All we need is the money,
Mike: But until then, Series
Ike: Season
Mike: Two of our webseries will be premiering soon.
Ike: Which is a helluva lot different than season
Mike: Series
Ike: One. But we still got the same production values.
Mike: There is a reason our company is called Very Amateurish Productions. But no matter what we do, you can be sure of one thing. It will either be funny or it will make you want to shower afterward.
Ike: Or both.

Mike & Ike on YouTubeSteve: Tell me a bit more about how you plan to outsmart your main competitors in the near future to enable you to become for popular than the already cult status budgerigars and fruit flavoured candy?
Mike: We’ve already outsmarted our competitors.
Ike: No challenge there.
Mike: Again, we just need the right people to notice us.
Ike: And give us money.
Mike: Once we are noticed
Ike: And have money.
Mike: We’ll buy a LOT of pot.
Ike: A lotta shotguns.
Mike: To shoot the budgies
Ike: And a lotta fruit flavoured candy.
Mike: Because we will definitely have the munchies.

Steve: Would you punch a Koala while it slept?
Mike: Only if it was five years old. We DO have standards.
Ike: By the way, in addition ta the myspace page. Ya can find us on YouTube and on Twitter
Mike: And on the walls of several post offices.
Ike: So until they catch us
Mike & Ike: (Together) Namaste.

Still craving budgies and candy? Maybe these will change your mind:


Mark Macready and the Archangel Murders

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Mark Macready and the Archangel Murders is a British independent horror comedy from CM Films with the objective of flipping the whole UK horror short scene on it head’¦ and that is what it will certainly do. Armed with a small crew of very memorable characters, some funky filming techniques, innovative and colorful lighting and a well tuned soundtrack it’s difficult to find something bad to say.

Mark Macready (also producer and writer Ryan McDermott) is the male Mancunian Buffy Summers of the force policing the demon infestation currently terrorizing the area. With less charm and more wit than the Hitman in Sin City and an eyebrow more talented than Roger Moore’s eyebrow when it was cast as the eyebrow of James Bond, Mark Macready AKA The Midnight Warrior is the most unfuckwithable butt-kicker of the supernatural North of Watford Gap.

On the trail of a shape shifting psycho-sexual incubus with a penchant of stealing the heart of women via the lady love tunnel, it gets personal for Mr Macready when his picturesque wife Christina (Charlotte Fellows) goes missing, with all fingers pointing to the Archangel as the kidnapper. The reckless and wild Macready and his crew, with the help of the demonic informant Friday, arm themselves and prepare to release some “Ya Bastards” on the supernatural underworld.

Impeded by higher authorities taking umbrage at his zealous irresponsibleness but determined to save his wife and the city, Macready is unwavering on his mission but will his natural demon awareness protect him from the shape-shiftyness of The Archangel?

The production and direction of The Archangel Murders is reminiscent of a number of recent Neo-noir comic book movie adaptations and manages to capture the atmosphere in a graceful manner and then manages to add a layer of parody over the top without damaging that vibe. The visuals throughout are more stunning than deep-throating a cattle-prod in a puddle, with some exquisite coloring reminiscent of Argento’s creative era and considering the low-budget a lot has been achieved effectwise within the financial constrictions.

Hopefully this movie short will lead on to more opportunities for the cast and crew as they deserve some serious airtime. Check out the trailer below.

Mark Macready and the Archangel Murders: Trailer from CM Films on Vimeo.


Surprise!

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Another horror short that recently jumped out of my monitor, grabbed my attention and made it smoke a thought-provokingly-enhanced tobacco stick was Surprise! from the limey and hick duo Mike and Ike.

Surprise! is a six minutes of fuckedupness from the perspective of a floor based and accidentally left on camcorder watching a distraught female having an personal moment with that which is behind the door. What is behind the door sounds like a conventional undead or a chronic meat-beater trying to knock out the fifth one of the day, but as the film progresses suspicions are introduced via the choice of blood splattered clothing that the woman is wearing.

Once again I was amazed that six minutes could leave me in the thoughtful silence sometimes an intense horror movie can inspire (although it was a short silence because it was a short movie). Possibly due to the aforementioned happy-stick, I didn’t get the surprise that I was expecting, it wasn’t the kind of surprise that you get when a Chinese businessman jumps out of a bush and tries to sell you supplies!, it was more of a thoughtful surprise that sneaks up on you after the movie finishes and you realise that subliminal messages on the right of the screen made your malleable mind jump to conclusions too early on… or I’ve totally jumped to a conclusion that involves a greater amount of wrong.

Another whole story captured in a few minutes that has inspired me to investigate further the short horror movie scene that I’ve ignorantly ignored.


Bedfellows

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Ignorantly I have passed up many an opportunity to take a look at horror movie shorts as I never believed that they could encompass enough horror to get me foaming at the eyes. HOW STOOPID WAS I?

I recently (and belatedly) decided that I could spare 3 minutes out of my heavy schedule of intensive sofa stress testing and individually reviewing every bottle of Kopparberg that I drink. So I watched Bedfellows and was amazed at how much “cool” can be achieved in a few minutes.

Firstly, and probably most importantly in a horror film, Bedfellows definitely sent a frostiness from my lower lumbar to the top of my thoracic.  I was genuinely dumbfounded at how much story and tension could be injected into such a small space of time and the fellow in the bed really freaked the faecal fallow flapjacks out of me. It was all of the coolness of a quality independent movie crammed into a space smaller than Hank Hill’s urethra.

The talent behind Bedfellows is director Drew Daywalt of Fewdio fame and I will definitely be checking out some more from Fewdio.com‘¦ and more horror shorts.

Due to my tardiness there’s only two days left to vote for Bedfellows as the top chiller in the ‘œHalloween Horror Nights-Chiller Scary Good Film Competition‘’¦ so go and watch some movies and vote.