Horror Extreme Movie Catalog

Many reviewers say the film's special effects look "dated". Well, DUH! What do you expect?? The movie is almost 80 freakin' years old, people! And you know what? Like all of the Whale films, it holds up better than 99% of the films made back then. Believe it or not folks, just because a movie is in black and white and doesn't have blood/gore does not automatically make it boring or bad. For example: there was a great, unbelievably frightening little film made in the early '60's called The Haunting. It was a b/w haunted house drama with Julie Harris, Claire Bloom, Russ Tamblyn and Richard Johnson, and it relied on atmosphere, suspense, and psychological horror. They remade the movie in about 2000, thinking that they could really work wonders with today's state-of-the-art special effects and technical wizardry. The result was an awful and overblown mess of a movie which no one cared about.
But hey--I'm not revewing The Haunting, am I? My point is that a great film can be made using old equipment and methods, as long as the director and photographer really know their stuff. And that there is a real danger in assuming that more money, bigger names and modern equipment will automatically yield a better product.
This movie is still fabulously entertaining. Like all of Whale's work, it contains moments of laugh-out-loud humor, tender emotions, tragedy and horror. It's beautifully photographed, and the lighting is wonderfully artful (black and white at its best). We can't see Rains, but at least we can hear that splendid voice. We get to see Gloria Stuart, an incredibly beautiful young thing in the early '30's, who also appeared in another Whale masterpiece, The Old Dark House.
One of my all-time favorites.

A maverick researcher (Claude Rains) uses an invisibility drug on himself, then goes into hiding while attempting to develop an antidote. Unbeknownst to himself, the drug also induces megalomania, and before long he will become the terror of the English countryside.

Although it may have been a severe miscalculation for Jack Griffin to subject himself to the drug before he had a countermeasure, there are no miscalculations on the part of director James Whale, who is responsible for some of the very best vintage Universal horror pictures. The special effects are surprisingly good for the era and present no bar to enjoyment. The script, though it departs significantly from the H.G. Wells source material, is intelligent. No review of this film is complete without praise for Rains, who appears only at the very end and only for a moment, but whose superb vocal performance and physical expression, while hidden under bandages, presents a fully realized character.