Horror Extreme Movie Catalog

Amando de Ossorio's legendary films series collectively and affectionately known as "the Blind Dead" is definitely not for everyone. However if you are one of the chosen few who love low budget Euro-Horror from the 70's this is the gold standard of the genre. This Anchor Bay release contains two from the series; `Tomb of the Blind Dead' and Return of the Blind Dead.' If you're a fan you probably know that all four films are now available in a boxed set from Blue Underground which offers fully restored, remastered, high definition, prints.

So then why buy this disc you ask? I keep my Anchor Bay copy because believe it or not I've discovered a scene or two in `Tombs of the Blind Dead' that are missing from Blue Undergrounds' definitive edition. If you're like me and can't stand to have parts missing than get them both. If it doesn't bother you then go for the boxed set collection.

My Rating: -3 1/2 Stars-.

This DVD offers up "Tombs of the Blind Dead" ("La Noche del terror ciego") and "Return of the Blind Dead" ("El ataque de los muertos sin ojos"), which comprise the first half of writer-director Amando de Ossorio's four-part horror masterpiece about the undead Templar Knights that emerge from their tombs and move ever so slowly after their victims. When you watch these films you might be reminded of Richard Pryor's joke about how the mummy is coming so, "Walk away! Walk away!" But Ossorio knows how to work the atmosphere with his creations despite being handicapped by having neither the time nor the money to make better movies.

"Tombs of the Blind Dead" begins 500 years ago when the Templars were sacrificing virgins and drinking their blood. Eventually the locals attacked the Templars, burning out the eyes of the knights before burning them at the stake. Ever since then no one goes near their castle, that is until Virginia White (María Elena Arpón) hops off a train in the middle of nowhere and ends up spending the night there. That night the Templar knights, skeletal corpses dressed up in armor, rise (slowly) from their tombs and follow the sounds of Virginia's screams. The trick is to stay silent so the blind Templars cannot hear where you are, but it is difficult to stay quiet when these things are after you. When Virginia's dead body is found her friends Betty Turner (Lone Fleming) and Roger Whelan (César Burner) decide to find out what happened to her. This is where they learn the legend of the Templars and then go off to investigate the castle, thinking that maybe somebody is using the local tale as a cover for criminal activity. This explains why they drag along local smuggler Pedro Candal (Joseph Thelman) and his girlfriend Maria (María Silva), to investigate the place, which only gives the Templars more victims to pursue (slowly).

Ossorio is all about atmosphere, so what stands out here is the thought of these shuffling corpses coming after you while the young women who are about to die take terms trying not to make a sound and then screaming all the way until the end. There is usually some blood at the end, but "Tombs of the Blind Dead" is more about spooky atmosphere. You just have to remind yourself that this film was made in 1971 and not judge its slower pace by the standard of contemporary horror films. Actually, this is the 86 minute dubbed into English version of the original 101 minute Spanish film. What has been cut from "La Noche del terror ciego" is the nudity, a rather chaste lesbian love scene, the bloodier parts of the flashback, and one of the more gratuitous rape scenes of all-time. The edited flashback is actually the prologue for "Tombs of the Blind Dead."

The most interesting thing about "Return of the Evil Dead" is that while it is a sequel it stands on its own. That is because it seems the rules of the game have changed somewhat, although they are certainly still compatible. This second film begins with what happened to the Templars in 1473 when the local villagers got tired ot the knights sacrificing virgins and drinking their blood. Now it is the 500th anniversary of when the Templars were burned at the stake and the villagers are celebrating their victory, including burning Templar manikins at the stake. Barricading themselves inside a hacienda are a small group of people trying to survive, including Jack Marlowe (Tony Kendall), who showed up in town to provide fireworks for the celebration, his old girl friend Vivian (Esther Roy), and the corrupt mayor (Fernando Sancho). The mayor keeps calling the governor for help, but the governor's mistress keeps telling him that everybody in the town is drunk because of the big celebration, so they are on their own.

Consequently, this 1973 film ends up being a lot like "The Night of the Living Dead," where you have people holed up someplace surrounded by a bunch of slow moving monsters (Ossorio dismisses the comparison because it is a commonplace of horror films). In this dubbed English version the Templars simply rise from their tombs, get on their horses, ride into town, and start slaughtering the locals. However, if you see the slightly longer original version, "El ataque de los muertos sin ojos," there is a scene where Murdo (José Canalejas), the creepy looking guy in town, makes a blood offering to raise the Templars from the dead (and this time there are easily twice as many as in the first film). I found this to be the best of the four films and while none of them are great, they are pretty good when it comes to taking the relatively simple idea of the blind undead Templar knights and then creating and sustaining a spooky atmosphere on a shoestring budget.

Be aware that there is a new 5-DVD set with all four "Blind Dead" films plus a disc that has a brief documentary about Ossorio and some rare interview clips, was released this month. The advantage of the set over this one DVD is that you get both the dubbed English versions and the original Spanish versions of both "Tombs of the Blind Dead" and "Return of the Blind Dead," with the latter being preferred, even if you have to read the subtitles. These were followed by "El buque maldito" ("The Ghost Galleon") in 1974, and "La Noche de las gavitos" ("Night of the Seagulls") in 1975. Some see Jesus Franco's 1985 film "La Mansión de los muertos vivientes" as a remake of Ossorio's first film, but I think you are on safer ground if you consider it to be definitely inspired by this entire series. One of the interesting things about the series is that most of the films can stand on their own, with the second being the best of the lot.