Horror Extreme Movie Catalog

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This movie is something like "The Matrix" meets "The Silence of the Lambs" meets "The Adventures of Priscilla, Queen of the Desert." Say, huh?

The story's based on a psychopath drama, but that's the part they should have hacked out of the whole movie. They should have found another reason to go into people's brains. The rich, pleasantly beautiful, often self-serving imagery runs completely ajar with the gruesomely real, criminally insane motif. What's pretty doing in this guy's head, anyway? They really didn't need to have such a blood and guts, hard-core, cop hunt for the psychopath story as the vehicle for this type of creativity. And by the time this movie was made, the psychopath stuff was an already worn out cliche formula. D'Onofrio's persona too closely mimics Ted Levine's "Silence of the Lambs" serial killer, and Lopez's character is so pasteboard safe and sweet, she borders on the completely ridiculous.

This should have been a fantasy operating on more spiritual and metaphysical levels. What a waste of a monumental investment in great imaginations. Singh is clever, but he's not deep, and he's not adult. He focuses too much on the micro, and not enough on the macro, and very little on the human element. In his narration in the special features, he sounds more like a boy playing giddy games with other people's money and other people's ideas than an artist with a true original vision and something to say, and that's this movie's problem--it doesn't really have much to say that's anything new, although it has many, many pretty and visually dazzling moments. It's just a bunch of those pretty moments strung together with a maniac who runs through them followed around by Mother Theresa. As to the brains who wrote this wooden script, off with their heads.